Defining Tradition | black & white

We are delighted to present our third exhibition in the 'defining tradition' exhibition series. In this show, we are celebrating the trailblazing artists who moved away from colour and pursued a more minimalistic style. Inspired by ancient Dreamings and the Australian landscape, their works are restrained in colour palette, yet remarkably powerful with exceptional compositional designs.


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On display are the great trailblazers such as Dorothy Napangardi and Lily Kely Napangardi. Dorothy’s early years at Mina Mina (where she lived a traditional bush life), along with the sacred Dreaming stories that inhabit the land, are the inspiration and subject of her work. 

Dorothy’s early artistic endeavours consisted on subject matter such as Bush Plum and Bush Banana – wild fruits that grow in abundance around Mina Mina – depicted in vibrant acrylic tones. Even at this stage, her superb sense of composition was evident. When Dorothy had the opportunity to return to Mina Mina in the mid 2000s*, she had the opportunity to be inspired by the landscape, and  her work developed towards a previously unseen abstracted method of Aboriginal art – all iconography pared back to the barest essentials. Just as Dorothy’s visual effects are subtle and intriguing, so too are their connection to culture and country.

The Australian art world instantly took note of this trailblazer. In 2002 her major solo exhibition (and the first solo exhibition for an Indigenous Australian artist) opened to considerable acclaim at Sydney's Museum of Contemporary Art, and later toured Asia. In 2012 she became the first indigenous Australian artist to have work accepted by Art Cologne, and in the same year her work was displayed in Ancestral Modern, an exhibition at the Seattle Art Museum. Since Dorothy’s passing, the New York MET has acquired one of her pieces, and there has been a retrospective exhibition at the Seatle Art Museum.

Also on display are the gestural artists such as Charmaine Pwerle. Daughter of Barbara Weir and granddaughter of Minnie Pwerle, Charmaine hails from one of Aboriginal art’s great painting dynasties. Whilst it is tempting to look at Charmaine's artworks in light of her famous relatives, her art demands attention in its own right.

It makes its own statements.

Charmaine’s subject matter draws on stories passed down for generations, but approaches it in a wholly different fashion than her grandmother to whom she is so often compared.

Defining Tradition | black + white also showcases artists who employ exceptionally fine dot work and complex designs, such as Anna Price Petyarre and Dulcie Long Pula.

Like their forebears from Utopia, Anna and Dulcie continue to astound the art world with their distinct and rich artworks, in recent years both having branched out and pursued a more minimalistic style. Exhibiting a restrained colour palette, their works demonstrate an exceptionally fine attention to detail, highlighted by complex designs and fascinating insights into the deep underlying cultural meaning associated with their artworks.

We also present pieces in this exhibition by Clifford Possum and Helen McCarthy Tyalmuty, who have used a black and white colour palette to present stories that are of a more ominous, sombre tone. Follow the links below to find out more about these artwork stories:


Click here to read the story of Awurrapun

 


Click here to read the story of The Tjangala Brothers

 

Click here to read our recent blog piece: Understanding Colour 

We look forward to seeing you in the gallery soon to see this incredible display of works!

* Mina Mina is now uninhabited desert country west of Nyirripi,  since the Warlpiri people’s move into communities Nyirripi and Yeundumu.


 Black & White Art at Home

Love the artworks on display in this exhibition, but are uncertain as to how to incorporate them in to your home or office space? Here is some advice from one of our Senior Art Consultants, Surrey:

The use of black and white Indigenous paintings for contemporary interior spaces create an unquestionably sophisticated and elegant look.  The monochrome allows the viewer to focus on the power of the composition, the ancient narratives behind the designs.

Used in modern interiors these striking artworks are often combined with sleek metals and rich timber surfaces and help create enviable calm, contemporary spaces that feel uncluttered and easy to live in.

Interested in arranging a home trial, digital hang, or using one of our other gallery services? Contact Us and one of our friendly Art Consultants will be able to assist you.

 


from little things, big things grow - the art & artists of papunya

   artists of papunya  

Left: Ronnie Tjampitjinpa painting Tingari-Fire Dreaming Middle: Clifford Possum painting Night Sky Story Right: Johnny Warangkula Tjupurula

The exhibition title from little things big things grow comes from the song of the same name by Australian artists Paul Kelly and Kev Carmody. Written in the 1980’s, it tells the inspiring story of the Gurindji people's struggle for equality and land rights after their 'walk off' at the Wave Hill property in 1966.  It is a story of hope and optimism. So too is the story of Papunya.

Little did we know back in 1971 - when a young school teacher encouraged the men of Papunya to paint using traditional Aboriginal iconography from the Western Desert – that we were about to witness the birth of the Aboriginal Art Movement.  From humble beginnings, the artists of Papunya are now known as the founders and ‘Masters’ of the Aboriginal Art Movement. In the years since, the artists of Papunya have made a profound contribution to the movement and international contemporary art.

This exhibition showcases the art of the great Papunya masters and the artists who got their start in this humble settlement. Their vibrant and innovative works give enduring expression to their powerful Tjukurrpa (Dreamings) and simply reverberate with a pulsating energy in our third level collectors’ gallery.

Many of the pieces on display are museum quality works, but unlike similar works in public galleries, these are available for purchase.

We do hope you can visit the gallery in August and experience this superb exhibition.

Can’t visit the gallery? Don’t  worry, you can view the online exhibition here.


Collectors' Gallery Opening

Please join us for a very special occasion!

Next Thursday 13th October, from 6 - 8pm, we will quietly be opening our exciting new indigenous art COLLECTORS' GALLERY. The spacious top floor of 680 Darling St. Rozelle, will be transformed to showcase secondary market fine art by a host of Australia's greatest master artists.

Goanna
Timmy Payungka Japangardi 'Two Goanna' 1995 129 x 181cm Acrylic on Canvas

The Collectors' Gallery will specialise in unique, difficult to obtain, high quality paintings that are significant pieces of Australian Art History, and that any public gallery would be proud to display. By virtue of both cultural and artistic importance, the works could take pride of place in both museums and public galleries anywhere in the world.


Turkey Tolson Jupurulla 'Tingari Songlines' 2000 204 x 123cms Acrylic on Linen

We are excited to offer this relaxed and comfortable environment, where art lovers can not only see and enjoy these increasingly collectible indigenous art works, but where unlike public galleries with similar offerings, they can actually acquire one as well!


Clifford Possum Japaltjarri 'Two Jungala at Warlukalona' 1999 143 x 173cms Acrylic on Linen

We do hope you and your friends will join us on Thursday to celebrate the beginning of our exciting new venture.

Please rsvp to info@kateowengallery.com 
 
Passionately celebrating aboriginal art,
Kate and the team.

 


Gabriella Possum painting in the gallery

Well, it's true - or at least Gabby says she is coming.  She IS a tad famous for not being where she says she will be, but she sounds fairly determined this time.

The plan is she will come into the gallery around 12 and be painting for us for at least the next week.
This means all her collectors and would be collectors can come in, have a glass of wine, meet Gabby and watch her paint.  It is fascinating.

Gabby, daughter of Clifford Possum, the most famous of all Australian indigenous artists, has as much talent as her father - some think more!  Her works are traditional but have a wonderful softness and beauty to them that was not usually seen in Clifford's work.  She is a consummate artist, mixing all her own paints, fussy about her brushes, and painting to the tune of a vision she holds in her mind as her stories unfold on the canvas.

Last time Gabby visited, some of our clients were lucky enough to commission their own works and watch her paint them.  You may be able to do the same.  this photo was taken last visit: the painting is only half way through, with Gabby laying out all the elements of a 'Grandmother's country' painting - my favourite subject matter for her works.