Defining Tradition | black & white

We are delighted to present our third exhibition in the 'defining tradition' exhibition series. In this show, we are celebrating the trailblazing artists who moved away from colour and pursued a more minimalistic style. Inspired by ancient Dreamings and the Australian landscape, their works are restrained in colour palette, yet remarkably powerful with exceptional compositional designs.


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On display are the great trailblazers such as Dorothy Napangardi and Lily Kely Napangardi. Dorothy’s early years at Mina Mina (where she lived a traditional bush life), along with the sacred Dreaming stories that inhabit the land, are the inspiration and subject of her work. 

Dorothy’s early artistic endeavours consisted on subject matter such as Bush Plum and Bush Banana – wild fruits that grow in abundance around Mina Mina – depicted in vibrant acrylic tones. Even at this stage, her superb sense of composition was evident. When Dorothy had the opportunity to return to Mina Mina in the mid 2000s*, she had the opportunity to be inspired by the landscape, and  her work developed towards a previously unseen abstracted method of Aboriginal art – all iconography pared back to the barest essentials. Just as Dorothy’s visual effects are subtle and intriguing, so too are their connection to culture and country.

The Australian art world instantly took note of this trailblazer. In 2002 her major solo exhibition (and the first solo exhibition for an Indigenous Australian artist) opened to considerable acclaim at Sydney's Museum of Contemporary Art, and later toured Asia. In 2012 she became the first indigenous Australian artist to have work accepted by Art Cologne, and in the same year her work was displayed in Ancestral Modern, an exhibition at the Seattle Art Museum. Since Dorothy’s passing, the New York MET has acquired one of her pieces, and there has been a retrospective exhibition at the Seatle Art Museum.

Also on display are the gestural artists such as Charmaine Pwerle. Daughter of Barbara Weir and granddaughter of Minnie Pwerle, Charmaine hails from one of Aboriginal art’s great painting dynasties. Whilst it is tempting to look at Charmaine's artworks in light of her famous relatives, her art demands attention in its own right.

It makes its own statements.

Charmaine’s subject matter draws on stories passed down for generations, but approaches it in a wholly different fashion than her grandmother to whom she is so often compared.

Defining Tradition | black + white also showcases artists who employ exceptionally fine dot work and complex designs, such as Anna Price Petyarre and Dulcie Long Pula.

Like their forebears from Utopia, Anna and Dulcie continue to astound the art world with their distinct and rich artworks, in recent years both having branched out and pursued a more minimalistic style. Exhibiting a restrained colour palette, their works demonstrate an exceptionally fine attention to detail, highlighted by complex designs and fascinating insights into the deep underlying cultural meaning associated with their artworks.

We also present pieces in this exhibition by Clifford Possum and Helen McCarthy Tyalmuty, who have used a black and white colour palette to present stories that are of a more ominous, sombre tone. Follow the links below to find out more about these artwork stories:


Click here to read the story of Awurrapun

 


Click here to read the story of The Tjangala Brothers

 

Click here to read our recent blog piece: Understanding Colour 

We look forward to seeing you in the gallery soon to see this incredible display of works!

* Mina Mina is now uninhabited desert country west of Nyirripi,  since the Warlpiri people’s move into communities Nyirripi and Yeundumu.


 Black & White Art at Home

Love the artworks on display in this exhibition, but are uncertain as to how to incorporate them in to your home or office space? Here is some advice from one of our Senior Art Consultants, Surrey:

The use of black and white Indigenous paintings for contemporary interior spaces create an unquestionably sophisticated and elegant look.  The monochrome allows the viewer to focus on the power of the composition, the ancient narratives behind the designs.

Used in modern interiors these striking artworks are often combined with sleek metals and rich timber surfaces and help create enviable calm, contemporary spaces that feel uncluttered and easy to live in.

Interested in arranging a home trial, digital hang, or using one of our other gallery services? Contact Us and one of our friendly Art Consultants will be able to assist you.

 


black + white - July 2016

black + white | 2 july - 17 july

We are excited to announce that our July exhibition will be a diverse show of contemporary Indigenous artworks inspired by ancient Dreamings and the Australian landscape.

Included will be works by widely acclaimed artists Barbara Weir, Dorothy Napangardi, Nyilyari Tjapangati, Warlimpirringa Tjapaltjarri and Yinarupa Nangala. The work of these artists is featured in many of the major galleries and collections in Australia and internationally.

Geoff has recently travelled to the Northern Territory to commission works specially painted in black and white for this exhibition; most notably by artists not known for works in this colour palette. The stand out is this incredible 3m piece by the granddaughter of Minnie Pwerle, Charmaine Pwerle. This artwork will take pride of place in the exhibition.

Stay tuned - more information to come!

black + white | 2 july - 17 july


Dorothy Remembered

We all know of one famous Dorothy who said “there’s no place like home”. We’d like to introduce you to another Dorothy who, through her captivating art, was able to show the whole world the beauty of her home, known as Mina Mina.

As a child Dorothy experienced unconditional happiness and freedom as she lived a traditional bush life. Dorothy’s fond early years at Mina Mina, along with the sacred dreaming stories that inhabit the land, are the inspiration and subject of her work.

The Australian art world instantly took note of this trailblazer, who was working towards a previously unseen abstracted method of Aboriginal art – removing all iconography in her work. Just as Dorothy’s visual effects are subtle and intriguing, so too are their connection to culture and country.

In 1991 Dorothy won the National Aboriginal art award for best painting in Western media. In 2002 her major solo exhibition (and the first solo exhibition for an Indigenous Australian artist) opened to considerable acclaim at Sydney's Museum of Contemporary Art, and later toured Asia. In 2012 she became the first indigenous Australian artist to have work accepted by Art Cologne, and in the same year her work was displayed in Ancestral Modern, an exhibition at the Seattle Art Museum.

Despite all the success and fame, Dorothy was a quiet and reserved woman who loved nothing more than to go hunting and go walking on country with family. Those close to her knew a charming woman whose smile lit up a room.

In June last year, Dorothy’s life was tragically cut short. Kate Owen Gallery wishes to honour this incredible artist & friend with the exhibition

dorothy remembered

4 october - 26 october

 all artworks available to view online


Dorothy Napangardi passes away

Sad news I'm afraid. The wonderful artist Dorothy Napangardi has been killed in a car accident this week, along with one of the children travelling with her. She was on a family hunting trip. Dorothy will be mourned by so many people, and my heart goes out to her sisters Judy Watson Napangardi and Margaret Lewis Napangardi, her sisters and fellow artists. We have removed all of Dorothy's works from our website as a sign of respect. Dorothy was a relatively young woman and so talented. Her trademark paintings of country, mainly in black and white, are in collections and museums all over the world. Her passing is a great loss to everyone and to the Aboriginal art world. Kate