It is with much sadness that we announce the death last week of the venerable Kimberley elder Jack Dale, aged 93.   We had a wonderful exhibition of his works - what turned out to be his last body of work - a couple of months ago.  The show was special because Jack virtually got off his sick bed to start painting with enthusiasm after several years of sickness and debilitating strokes.  

As many elder artists do, Jack turned to stories of his spiritual ancestors the Wandjina, and of his early life in the rough and tumble of the Kimberley.  The infamous prison tree, the bombing of Darwin, and the role of the Wandjinas featured in the show with the stories of each artwork displayed alongside (stories are hand written on the back of each artwork as dictated by Jack while he painted them).

Such was Jack's standing as an artist and a narrator of events, that the Australian War Memorial purchased one of the works for their collection.  Other collectors too were quick to add them to their acquisitions.

We have now been requested by Jack's family to place the remaining few works back on sale and have done so in a special exhibition, proceeds from which will go to further assist Jack's family in covering expenses for the funeral.

This is a chance to acquire a special piece of Australian Indigenous and/or Kimberley history from the final body of work by this important and unique artist.

View Jack Dale's artworks at Kate Owen Gallery.

'Warrumiyanga Way' - works on canvas and paper

The Tiwi Islands are located 100km North of Darwin and comprise of Melville Island, Bathurst Island and nine small uninhabited Islands. 

Whist the Tiwi Islands are part of the Northern Territory, the Tiwi culture is very unique. It is distinguishable by an emphasis on dance (which is still an essential component of everyday life) and the Pukumani ceremony. As well as a skin name, each person has their own dreaming and dance which they inherit. During ceremony, the body is painted in geometric abstract designs, known as ‘jilamara’.

The art of the Tiwi Islands is clearly distinguishable by their fine and intricate designs (many derived from jilamara designs), which is usually applied with the traditional Tiwi painting comb, known as the ‘pwoja’ or ‘kayimwagakimi’. The artists of the Tiwi Islands have explored a vast array of artistic mediums such as painting, prints, Batiks, wood carvings, shell work, and ceramics. Whilst each artist has their own unique aesthetic, there remains a strong emphasis on design and using natural ochres. 

Lillian Kerinaiua - LKE24728 - 45 x 100cms

Tiwi Islander artworks have a special place in Aboriginal art history, associated with the Art Gallery of New South Wales. In 1958 gallery deputy director Tony Tuckson and Dr Stuart Scougall commissioned 17 Pukumani grave posts for the gallery’s collection.  Back then, it was a groundbreaking moment for Aboriginal art, as it shifted Aboriginal visual culture to an art gallery setting, rather than an anthropological piece/specimen housed in a museum.

Estelle Munkanome - ESM60410

Tiwi Island art also has an incredible ‘wow’ factor that is bound to delight viewers.  Right now are showing a beautiful selection of works from the Ngaruwanjirri group – a special group which was created to provide employment opportunities for the people of Wurrumiyanga (Nguiu, Bathurst Island) and to support local Tiwi artists with disabilities.

The artists featured in this show include Alfonso Puautjimi, Estelle Munkanome, Lillian Kerinaiua and Lorna Kantilla - each has a unique and very contemporary style, rendered in soft but edgy ochres.

Alphonso Puautjimi's works particularly, are very collectible:  quirky but powerful representations of his visit to the city - cars, planes and buildings suddenly became his theme - so overwhelming was this new visual environment.  The others range from Lorna Kantilla's soft ephemeral works to Lillian Kerinaiua's simply brilliant compositions of quasi geometrical shapes offset with contrasting areas of dense and varied dotwork.

Unfortunately, this very special art centre closed in late 2012 due to a discontinuation of Government funding – a very unhappy situation indeed, particularly for the artists.  Our exhibition is physically located in our 'Charcoal Gallery' on the second level, but also available for viewing on line – web purchases can be made quickly and easily through our secure payment gateway.

We hope you enjoy the artworks as much as we do!

Gloria Petyarrye, the matriarch of the Petyarrye family, is known all around the world for her Bush Medicine Leaf Dreaming. 

This beautiful work of Gloria’s encompasses luscious hues of deep reds, gold and yellows which resonate. When you look a little closer, you can see delightful touches of purple/blue. The fluidity of the strokes are wonderful to look at as each brush stroke carries with it pigment from the previous stroke. Bush Medicine leaves are healing leaves of the Kurrajong tree used by women from the Anmatyerre region in traditional bush medicines.  

From my perspective I can feel the healing energy in the work, it is both joyous yet peaceful.  The dimensions of the work, a striking square 120 x 120 cm, make it a statement piece also.  This painting by Gloria will transform and lift any space, it is an exciting work that one cannot help but respond to.

See More Works by Gloria Petyarre

This artwork by Ronnie Tjampitjinpa is a powerful and very bold example of a highly skilled and evolved senior artist. You can’t help but get swept across the linen as though you are hovering above a river of volcanic lava. 

This is one of those artworks with an instant wow factor, there is always a moments silence followed by a deep sigh of satisfaction from all the clients who see his work.  

Hung either way, it has the same effect, drama and passion. If you are looking for a work of art that has uniqueness, authority, can be hung in the grandest of offices or adorn the living room wall, I cannot recommend highly enough a bush fire dreaming artwork by Ronnie.